On Snowpiercer, post-apocalyptic tales, and cult movies

SnowpiercerAs a poet and politician named Dante Alighieri descends through the circles of Hell, ascends Purgatory and reaches the highest sphere of Heaven, so a rebel leader named Curtis Everett moves from the tail of the Train hosting the planet’s only human survivors to the Holy Locomotive that drives it in a looping route around a frozen Earth.

Dante starts out lost in his dark wood, hungry for knowledge and salvation, meets a large set of characters placed in the afterlife according to their actions and sins in life, and ends his journey with a vision of “the Love which moves the sun and the other stars”. Curtis starts out in the filthy windowless final carriage of the train where he has spent half his life, driven by hatred and revenge, and ends his journey in a luminous perpetual-motion engine meeting Wilford, the creator of the train and the dystopian society it hosts, a microcosm where everybody has their own place based on the price they were able to afford to pay to board the train and escape death.

snowpiercer-poster-chris-evansSnowpiercer is a 2013 South Korean movie directed by Bong Joon-ho, based on the French graphic novel Le Transperceneige, written in the early 1980s by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette. Oppression, violence, food and water, addiction, clairvoyance, self-mutilation, class war, revolt: just when you think the story cannot cram one more ingredient into its plot, a new twist takes place – say, child abduction or cannibalism – and glues you to the screen.

You know I am a fan of end-of-civilization tales, but Snowpiercer stunned me. It has the guts to take a few hundred survivors of a man-made climactic catastrophe and to truly, really do away with them in a spectacular final train wreck. (And perhaps that is all good: who would want to live in what looks like Panem from the Hunger Games, sequentially crammed onto a high-speed train?) We are drawn to post-apocalyptic stories because they force our imagination to answer uncomfortable questions. What would I do in such extreme straits? Would I survive, maintain my dignity? Would I be able to defend my family, my friends? Would I rise to be a leader for them?

Cinematically and visually, this movie’s claustrophobic appeal recalls such classics as Brazil (1985), The Cook, the Thief, His Wife and Her Lover (1989), and Strange Days (1995). It rarely happens anymore, but after two hours in the movie theater, I came out feeling I wanted to watch it all over again. Snowpiercer is scheduled to be released in the United States on June 27, 2014. It will become a cult movie. Don’t miss it.

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